In Mélanie Laurent’s “Wingwomen,” the story unfolds with a focus on Alex and Carole, two professional thieves yearning to break free from their perilous criminal lives. The film strikes a delightful balance between buddy-comedy and action-adventure, presenting a genuine, multifaceted connection between the two female protagonists. Instead of the typical portrayal of women as mere “badasses” in action movies, “Wingwomen” digs deep into their intricacies and vulnerabilities.
Carole and Alex, brilliantly played by Adèle Exarchopoulos and Mélanie Laurent, possess remarkable skills in their illicit trade but are confronted with a formidable final heist assigned by their enigmatic boss, “Godmother,” portrayed by Isabelle Adjani. This job involves stealing architectural plans and weapons, culminating in the theft of a pop-art masterpiece known as “The Grand Odalisque.”
Laurent’s direction brilliantly captures the Mediterranean’s breathtaking scenery, and Antoine Roch’s cinematography does justice to the picturesque locales. The characters they encounter are uniquely quirky, steering clear of the clichés often associated with action films.
Laurent’s commitment to portraying authentic friendships between women shines through, allowing her characters to exhibit flaws and vulnerabilities, thus adding depth to their relationship. “Wingwomen” stands out as an action-packed heist film that celebrates the significance of the bond between Carole and Alex, making it a truly enjoyable and distinctive addition to the genre, even if the conclusion leaves room for improvement. Visit afdah tv for more!