Alexander Payne’s cinematic lens, often criticized for a perceived condescension toward characters, takes an unexpected turn in “The Holdovers.” Unlike his earlier works, this film exudes a profound love for its characters, evident in every frame, line, and plot choice. In a cultural climate steeped in cynicism, Payne’s genuine affection for his creations becomes a refreshing narrative force.
Bouncing back from the setback of “Downsizing,” Payne reunites with Paul Giamatti, delivering a stellar performance as Paul Hunham, a formidable professor in the ’70s. Hunham, despised by students and staff, finds an unlikely connection during Christmas break with a student, Angus, and the grief-stricken cook, Mary. The trio, at different life junctures, embarks on a heartwarming journey, exploring the transformative power of unexpected connections.
David Hemingson’s script navigates life’s unpredictability, steering clear of clichés. Mary, portrayed by Da’Vine Joy Randolph, brings a poignant portrayal of grief, while Dominic Sessa shines as the witty yet uncertain Angus. The film, laced with humor, captures the essence of ’70s comedies, presenting relatable characters facing life’s uncertainties. Visit afdah for more!
Summary: A cranky history teacher at a remote prep school is forced to remain on campus over the holidays with a troubled student who has no place to go.
