In the realm of indie cinema, Wes Anderson was once a standout figure, but his popularity has surged in recent years with mainstream success. Despite the rise in exposure and attempts by others to imitate his style, international film communities continue to embrace Anderson. His latest film, Asteroid City, premiered at the Cannes Film Festival, boasting an all-star cast including Tom Hanks, Scarlett Johansson, and Margot Robbie. Following Anderson’s signature style, the movie presents a loose narrative with recurring vignettes, centering around a group of eccentric characters attending a Junior Stargazing convention in a small American desert town. However, the film showcases Anderson’s self-indulgence, focusing more on expanding his aesthetic and meta-narratives than on telling a compelling story. While visually impressive with striking cinematography and production design, Asteroid City falls short on character development, leaving most of the talented cast with little material to work with. The film attempts to bring together two separate narratives, but they feel disconnected and explore different themes in a superficial manner. Ultimately, Asteroid City exemplifies Anderson’s decline as a storyteller, offering little substance beyond its stunning visuals. Visit afdah movie for more!